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Cameras

 Black Magic Cinema Camera

Video

BlackMagic Cinema Camera
Courtesy of dslrnewsshooter.com

Blackmagic Cinema Camera Tech Specs
 
Blackmagic Cinema Camera

Camera Features
Sensor Resolution: 2592 x 2192
Raw Resolution:     12-bit RAW files recorded at 2432 x 1366
Shooting Resolutions: 2.5K RAW at 2432 x 1366, compressed at 1920 x 1080
Frame Rates: 23.98p, 24p, 25p, 29.97p, 30p
Sensor Size:  16.64 mm x 14.04 mm
Sensor Size - Active: 15.6 mm x 8.8 mm
Dynamic Range: 13 stops
Focus: Focus button turns on peaking
Iris Control: Iris button automatically adjusts the lens iris settings so no pixel is clipped
Lens Mount: EF and ZE mount compatible with electronic iris control
Screen Dimensions: 5" and 800 x 480 resolution
Screen Type: Integrated LCD capacitive touchscreen
Metadata Support: Automatic camera data and user data such as shot number, filenames and keywords
Controls: Onscreen touch menus and physical buttons for recording and transport control
Microphone: Integrated mono microphone
Speaker: Integrated mono speaker
Mounting Options: 3 x 1/4" thread mounting points on top of camera. 1 x 1/4" thread tripod mount with locator pin.
Power: Integrated Lithium-ion Polymer rechargeable battery.
12V-30V DC port for external battery power or use included 12V AC adapter.
Battery Life: Approximately 90 minutes
Battery Charge Time:Approximately 2 hours when not in use.
Camera Dimensions: 166.2mm by 113.51mm x 126.49mm excluding detachable sunshade and turret dust cap
Camera Weight:1.7 kg / 3.75 lb

Storage Features
Storage Type: Removable 2.5” SSD
Storage Format: Mac OS Extended format. SSDs can be formatted on any Mac or use Mediafour MacDrive (not included) on a Windows PC.
Storage Rates: 5 MB/frame in RAW 2.5K fits about 30 minutes of 24p video on a 256 GB solid state disk. Compressed HD formats fit more than 5 times the amount of RAW video.

Uncompressed Recording Formats
RAW 2.5K CinemaDNG
Compressed Recording Formats
Apple ProRes and Avid DNxHD. All compressed recording in 1920x1080 10-bit YUV with choice of Film or Video Dynamic Range.
Connections
SDI Video Output
1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range
Analog Audio Input
2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels.
Analog Audio Output
1 x 3.5mm stereo headphone output
SDI Audio Output
4 channels in HD-SDI
Remote Control
1 x 2.5mm LANC for Rec Start/Stop, Iris Control and Focus Control
Computer Interface
Thunderbolt port for capture of RAW video and audio.
USB 2.0 mini B port for software updates and configuration.
External Power
12V-30V DC port for external battery power or use included 12V AC adapter.
Standards
SDI Compliance
SMPTE 292M.
SDI Audio Sampling
48 kHz and 24 bit.
Extras
Software Included
DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows.
Media Express software for video capture from the camera’s Thunderbolt port.
Blackmagic UltraScope software for waveform monitoring from the camera’s Thunderbolt port.
Accessories
Detachable sun shield, camera strap, turret dust cap and 12V AC adapter.
Product Warranty
12 Month Limited Manufacturer's Warranty.
Optional Accessories
Camera Handles
Blackmagic Cinema Camera Handles

Deck Link

Deck Link 

DeckLink ha fatto sì che Blackmagic divenisse un punto di riferimento per migliaia di persone creative in tutto il mondo che utilizzano questo strumento in ogni tipo di post-produzione. Blackmagic ha lanciato una rapida successione di prodotti incredibili ideati sulla base delle esigenze delle persone creative. Un grande esempio è la HDLink, nuovo dual link SDI che ha reso conveniente il monitoraggio di qualità, rimuovendo uno dei principali ostacoli al lavoro in HD.  Il lancio di DeckLink Multibridge, convertitore analogico e breackout box (ad IBC 2004) con la maggior qualità al mondo, ha permesso a Blackmagic di raggiungere gli obiettivi preposti.

DeckLink cards let you capture and playback to the widest range of equipment, such as HDCAM, HD-D5, HDCAM SR 4:2:2, Betacam SP, Digital Betacam, HD receivers, HDV cameras, televisions, VHS recorders, analog broadcast monitors, mixers and many more!

DeckLink Studio

The world's most compatible 10 bit video card that works in SD and HD 

DeckLink Studio

DeckLink HD Extreme 3D

Perfect for post production, broadcast and even feature film work, DeckLink HD Extreme 3D switches between SD and HD, and has built in 3 Gb/s SDI, 4:2:2 and 4:4:4 RGB, native 12 bit and frame rates right up to 1080p60! DeckLink HD Extreme 3D also features built in up, down and cross conversion, plus an internal SD/HD keye

HDExtreme3

Get the world's highest quality 2D and 3D workflows! The new DeckLink HD Extreme 3D includes SDI, HDMI 1.4, analog component, analog and AES/EBU audio and more. Now you can capture and play back from virtually any video and audio device, even in 3D! DeckLink HD Extreme 3D also includes the latest technology for advanced full resolution 3D editing, including dual stream SDI capture and playback plus built in HDMI 1.4!

Amazing 3D Workflow

DeckLink HD Extreme 3D is ready for advanced 3D workflows using both interleaved and dual stream capture and playback. Interleaved allows the left and right eye to be combined into a single frame so you can edit 3D using your favorite editing software! Dual stream is also fully supported in DeckLink HD Extreme 3D using the dual SDI and HDMI 1.4 connections for capture and playback of two full resolution video streams for left and right eye into two separate media files. Dual stream 3D allows the highest quality 3D possible because each eye is captured as an independent full resolution media file.

MultiBridge

Multibridge

SD, HD, 2K Editing and Design Solution For Post Production and Broadcast

Two Amazing Models

Multibridge comes in two individual models to suit your workflow. Multibridge Pro provides Dual Link 3 Gb/s SDI, HDMI and analog capture and playback in SD, HD and 2K, with 8 AES/EBU and 2 channels of analog audio. Multibridge Pro's low cost also makes it a great general purpose rack mounted video converter. Multibridge Eclipse, features a larger 2 rack unit size for a massive 12 channels of AES/EBU, and 4 channels of balanced audio, HDMI in and out, Dual Link 3 Gb/s SDI in and out, and an advanced front panel design with status lights and 32 audio level meters.

Video Hub

Connect to all Broadcast Decks

Broadcast Videohub works with all SDI broadcast video decks. Standard definition decks include Digital Betacam™ Panasonic HD D-5™, and older decks such as Betacam SP™ using analog to SDI converters such as Multibridge. HD decks can also be connected such as HDCAM, DVCPRO HD, HD D-5 and Sony HDCAM SR™.

Videohub Software

We include free Videohub software thats runs on any computer, so you can change routing directly from your editing or design system! With touch screen such as a HP TouchSmart, and now all routing can be done by pressing buttons directly on screen! You can have virtually unlimited sources and destinations because it's easy to page through multiple screens of buttons!

Route From Your Desktop

With so much post production equipment based on desktop computers these days, the best place to control your router is right from your desktop. All Videohub models include free software so you can simply install on your Windows or Mac, and get an incredibly attractive icon based router control panel. You can install on as many computers as you like!

Micro Videohub 

 No other router includes so many features packed into such an incredibly compact size! Perfect for locations where space really counts, such as outside broadcast trucks, Micro Videohub is the world’s smallest router!

Smart Videohub 

Smart Videohub includes all the great features of Micro Videohub plus a built in control panel. Now you can change all routing with the push of a button! Smart Videohub includes 16 x 16 SDI, 3 Gb/s SDI, auto SD/HD/3 Gb/s SDI, re-clocking, ethernet, USB and serial router control interfaces. Great first router that’s expandable with all Videohub control options!

Smart Control Videohub

Now you can afford a control panel for all your monitors and decks so you can set the input with a single button press! Each button can be set to a different router input and you can set single or multiple router outputs. All buttons include full RGB illumination and Smart Control connects to Videhub via Ethernet and setup software is included. Add push button routing to your decks and monitors! Smart Control installs under each video device, and each button can be customized to a router input. When you push a button, the router output connected to your deck or monitor changes! You can also have multiple outputs! Buttons illuminate white when set as inputs, gold for outputs, and the lower right button is red if you enable the take button feature!

Studio Videohub

Studio Videohub is perfect for smaller workgroups who need compact size at an affordable cost. Studio Videohub has the exact same high performance features of the larger models, including 3 Gb/s SDI, auto standard detection for SD, HD and 3 Gb/s HD-SDI formats, re-clocking and more. Studio Videohub features 16 inputs, 32 outputs and 16 deck control ports all packed into a tiny 2 rack unit size less than an inch thick. Studio Videohub uses the same power supply as the larger models and the same powerful software.

UltraScope

Blackmagic UltraScope and Pocket UltraScope

The world’s first scopes designed for editors and colorists, with the technical accuracy broadcast engineers will love! There's two great models of UltraScope designed for your needs. The amazing UltraScope with SDI and optical fiber SDI for PCI Express computers and the new portable Pocket UltraScope with SDI and USB 3.0, perfect for notebook computers!

Blackmagic UltraScope Blackmagic UltraScope is a combination PCI Express card and software package designed to work with a low cost PC and display.  Blackmagic UltraScope is technically accurate which is perfect for master monitoring and quality control tasks.	Pocket UltraScope Get all the incredible features of UltraScope on your laptop! Pocket UltraScope includes the same fantastic UltraScope software combined with a miniature pod that converts 3 Gb/s SDI to the computer’s USB 3.0 connection.

High end post production and television engineers have known for decades the benefit of using waveform monitoring not just for engineering, but operationally in color correction and editing workflow. From color correction to matching black levels when keying and overlaying video, only waveform monitoring lets you keep track of what's going on, and helps you eliminate illegal colors, and other problems that could cause your work to be rejected by broadcasters.

	Parade Display for Colorists You can see the color balance in blacks, mids and whites, so it's easy to balance colors and get your images looking perfect. RGB Parade is also perfect for checking for illegal colors because any video that drops below the black line, or above the 100% line is an illegal RGB color. Parade can also be switched to component so you can align equipment and decks.
	Waveform Display for Alignments Waveform view has a setting that's luminance only or composite. Composite video is synthesized from the SDI input, and is a much better view for aligning traditional equipment such as decks. Thousands of editors know and understand composite waveform monitors, so even though UltraScope is all digital, the synthesized composite waveform makes life a lot easier!
	Component Vectorscope View A vectorscope is the only way to see what color you have. When color correcting video, sometimes you need to know color has been removed or nulled out for accurate white balance, and vectorscope view is perfect. Sometimes monitors cannot be trusted, but a vectorscope always shows the colors you have! Of course aligning hue on decks is always easy with vectorscope view!
	Histogram for Location Shoots Almost all video need to be color corrected at some point in the post production process, and so you never want to clip video whites or blacks when on a live shoot. If you clip the blacks and whites, you loose all detail later in post production when you try to adjust blacks up or whites down. Histogram view lets you see where the pixels are in your video, and how they are distributed from black to white. You can see if video is clipping, and then it's easy to adjust the camera to keep all black and white detail in the image. Later in post production you then have the full contrast range of video for easy color correction that lets you keep all details no matter how extreme the color grade is!
	Audio view for Monitoring Levels Keep track of your audio levels at all times with 8 channels of audio metering, plus a stereo phase meter. The stereo phase meter plots left and right audio, as an XY scope display so you know exactly what your audio is at all times. Keep track of your audio levels at all times with 8 channels of audio metering, plus a stereo phase meter. The stereo phase meter plots left and right audio, as an XY scope display so you know exactly what your audio is at all times.
	Picture View with VITC Timecode The picture view lets you keep track of the video input so you always know what's going on and what video input is connected into your Blackmagic UltraScope. Input video is selected from either the optical fiber SDI or regular SDI inputs, and the video standard is automatically detected and displayed above the video image. VITC timecode and RP188 HD timecode is also detected and read into a timecode counter on the top right of the video image.

Nuovi Prodotti

New Intensity Shuttle with USB 3

Intensity Shuttle USB 3.0, the world’s first 10 bit HD/SD editing solution for USB 3.0 computers! Simply plug in Intensity Shuttle and get access to incredible quality 10 bit HDMI, analog component, composite and s-video capture and playback. Intensity Shuttle’s innovative design is compact and portable, plus you can plug inline with your cables because input connections are on one side, and output connections on the other! Intensity Shuttle powers from the USB 3.0 connection so you don’t need cumbersome power supplies. Intensity Shuttle comes ready with advanced video technology such as HDMI 1.3 and 1080p electronics, so it will grow as faster high performance USB 3.0 computers are released in the future!

New Intensity Shuttle and Intensity Extreme with Thunderbolt™

Intensity Extreme

Introducing Intensity Extreme, built with blazingly fast Thunderbolt™ technology. Machined from a solid piece of aluminum, Intensity Extreme gives you incredible quality HDMI, component video, s-video and composite 10 bit capture and playback. Better still, this super-sleek, high-speed data transfer system offers an incredible 10 Gb/s connection that’s up to 20 times faster than USB 2.0 and up to 11.5 times faster than FireWire 800.

The world’s smallest uncompressed video recorder!

 

 

Dramatically improve the quality of professional or consumer cameras! HyperDeck Shuttle gives you the quality of uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is small, affordable and battery powered so it’s perfect as a field recorder. HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality uncompressed video. SSDs are cheap and fast, so you can edit directly from the SSD media itself. Only SSDs eliminate time wasting file copying! Only $345.

 

	HyperDeck Shuttle

 

Professional VTR functionality without the high price tag!

Introducing the world’s first uncompressed HD disk recorder that lets you record forever! HyperDeck Studio features dual SSD slots and automatically continues recording onto the next SSD when one record disk fills! HyperDeck Studio features uncompressed video quality capture and playback, and disks can be mounted directly on your computer as media storage for editing without any file copying! HyperDeck Studio is the easy to use, highest quality and affordable broadcast deck for the 21st century! Only $995

	HyperDeck Studio

Affordable SDI Monitoring with the new SmartView Duo!

Get the ultimate in low cost SDI monitoring with SmartView Duo! Perfect for post production, broadcast or live events, SmartView Duo features two large 8 inch LCD screens in a compact rack mount design that's less than an inch thick! SmartVideo Duo handles all SD, HD and 3 Gb/s SDI video standards, and all screens can be remotely adjusted via your ethernet network! Use SmartView Duo in racks for local monitoring, for multi monitor video walls in master control rooms or for camera monitoring for production switchers! With SmartView Duo you can afford to put SDI monitoring everywhere you need! Only $695.

	ATEM 1 M/E Broadcast Panel When the software control panel is too limited, then the ATEM 1 M/E Broadcast Panel is a professional panel with the highest quality buttons, knobs and controls for the most demanding live 24/7 live production environment. The ATEM 1 M/E Broadcast Panel is compact so it fits within a rack width!. You get full control of your switcher, including cameras, transitions, keyers, fader, DVE control and more. ATEM 1 M/E Broadcast Panel connects via ethernet, and includes a loop thru connection for more than one panel or computer.
	ATEM 1 M/E Production Switcher Get the workflow of a traditional 1 M/E SDI switcher combined with a very portable compact 2 RU size and a software control panel you can run on your laptop! Includes 4 SDI inputs, 4 HDMI inputs for consumer cameras or computers, analog input, and SDI, HDMI and analog outputs including down converted SDI output and USB 3.0! You even get a complete frame resynchronizer on every input! You also get professional features such as stinger and DVE transitions, 6 keyers, multi view, built in media players and more!
	ATEM Television Studio - $995 The production switcher for the internet age! ATEM Television Studio is a full broadcast quality production switcher with real time H.264 encoding so you can capture live events directly to files for internet distribution! ATEM Television Studio includes 6 video inputs with both broadcast SDI and consumer HDMI inputs for cameras and computers. You get software control panel, chroma keyer, two media player frame-stores, downstream keyers, transitions and more! Also works with ATEM control panels!
	ATEM Camera Converter Get everything you need for cameras in live production with a single converter! Connect your camera’s SDI or HDMI outputs for conversion to optical fiber, while your switcher program feed can be fed back via optical fiber for camera monitoring. ATEM Camera Converter includes an internal battery, talkback, tally, and microphone inputs!
	GPI & Tally Interface GPI & Tally interface provides 8 contact closure inputs and 8 contact closure outputs for connecting to ATEM switchers and Videohub routers. Tallies will be displayed when connected to an ATEM switcher to indicate their "on-air" status and you can even connect multiple interfaces together to increase the number of inputs and outputs. GPI and Tally Interface also works as a Videohub control panel without buttons and LEDs so you can make your own! Now anyone can connect to Videohub routers to control cross-points!

 

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